Iswaran the Story teller

By R.K Laxman

R.K. Laxman was a renowned Indian cartoonist, illustrator, and author, best known for his iconic cartoon series “The Common Man.” His works often provided humorous yet insightful commentary on everyday life and socio-political issues in India. Laxman was also a gifted storyteller, blending humor and observation in his writing. “Iswaran the Storyteller” is a tale from Laxman’s collection that centers around Iswaran, a resourceful and imaginative servant who entertains his master Mahendra, with his captivating and often exaggerated stories. The story highlights the art of storytelling, with themes of imagination, tradition, and the way stories shape our perception of reality.

Q: In what way is Iswaran an asset to Mahendra?

Ans. Iswaran is an asset to Mahendra in multiple ways. He is an excellent cook, providing Mahendra with delicious meals. Additionally, Iswaran takes care of all the household chores, ensuring that Mahendra’s living quarters are always clean and well-maintained. His storytelling skills provide Mahendra with entertainment and companionship, making his otherwise monotonous life enjoyable. Iswaran’s resourcefulness and ability to handle various situations also make him indispensable to Mahendra.

Q: How does Iswaran describe the uprooted tree on the highway? What effect does he want to create in his listeners?

Ans. Iswaran describes the uprooted tree on the highway with dramatic flair, turning a simple event into an exciting tale. He vividly describes how the tree was uprooted by a powerful storm, blocking the road completely. Iswaran adds elements of suspense and danger, making the situation seem more intense than it actually is. The effect he wants to create in his listeners is one of awe and fascination, keeping them engaged and entertained by the vivid imagery and dramatic presentation.

Q: How does he narrate the story of the tusker? Does it appear to be plausible?

Ans. Iswaran narrates the story of the tusker with great enthusiasm and dramatic gestures. He describes how the wild elephant went on a rampage, breaking through the school’s compound wall and causing panic among the students and teachers, and how he against all odds subdues the animal by striking it on its toenail with a rod. The story does not appear plausible due to the exaggerated details and the highly improbable nature of the events described.

Q: Why does the author say that Iswaran seemed to more than make up for the absence of a TV in Mahendra’s living quarters?

Ans. The author says this because of Iswaran’s exceptional storytelling skills. His stories are captivating and filled with vivid descriptions, dramatic gestures, and engaging content, providing Mahendra with a source of entertainment that rivals or even surpasses what television could offer. Iswaran’s ability to hold Mahendra’s attention and transport him into the world of his tales makes him an invaluable companion.

Q: Mahendra calls ghosts or spirits a figment of the imagination. What happens to him on a full-moon night?

Ans. Despite calling ghosts or spirits a figment of the imagination, Mahendra has a frightening experience on a full moon night. He is woken up by a low moan and sees a ghostly figure outside his window, exactly as Iswaran had described in one of his stories. The apparition appears to have matted hair and a ghostly face, causing Mahendra to feel terrified. This incident shakes Mahendra’s rational beliefs and leaves him deeply unsettled.

Q: Can you think of some other ending for the story?

Alternate Ending 1: Instead of seeing a ghostly figure, Mahendra could have a vivid dream influenced by Iswaran’s stories. In his dream, he encounters the same ghostly apparition and experiences the same terror. Upon waking up, he realizes it was just a dream but remains affected by how real it feels. This ending could emphasize the power of storytelling and imagination without introducing an actual supernatural event, reinforcing the theme that the line between reality and fiction sometimes blurs due to the influence of compelling narratives.

Alternate Ending 2: After seeing the cloudy figure, Mahendra musters up his courage takes a rod and flashlight, and follows the figure. He was surprised to see that the figure was heading towards Iswaran’s room. When he reaches the room, he peeps through the window and the scene inside makes him lose his wits. The ghostly figure appears to be the same as described by Iswaran and the figure was having a chat with Iswaran who also looks like a ghost himself. Mahendra looks at Iswaran’s bed and is astonished to find his body lying on the bed. His body appears lifeless. Only then, it dawned upon Mahendra, that Iswaran himself is a ghost. Terrified, he runs back to his room, hastily packs his essentials, and flees the site, never to return.